The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2)


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While their stories can be cringe-producing and painful to behold, they can also be entertaining and hysterically funny. The Instant Celebrity is the third book in the Instant Trilogy.

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They are in a league all their own. This book is about the fluffier, sillier, sometimes even sad and deadlier side of the fame equation. The kind pop culture eats up and reality shows lionize. In short, it is a book about Andy Warhol's 15 minute prediction come true - a time when many people are becoming famous, more often than not, for absolutely nothing of lasting note. Whose tanning obsession made her famous for 15 minutes?

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Who came by their fame just for birthing multiple babies? What motor-mouthed beauty queen tot got their own reality show? What bullying episode turned a school bus monitor into an Instant Celebrity? What senator's bathroom toe-tapping got him more ink than he ever wanted? Who became a folk hero after he parachuted out of a passenger jet with millions in ransom and was never heard from again? What did President Obama say about his 15 minutes of fame? Convert currency. Add to Basket. Condition: New. New Book.

Shipped from UK. Established seller since Seller Inventory IQ More information about this seller Contact this seller. Language: English. Brand new Book. Technical gaffes abound. And when the birds finally show up, the film is graced by some of the most gut-bustingly hilarious FX of all time—clip-art birds that flutter in place, suspended in mid-air while the heroes swipe at them with coat hangers.

This is all in Birdemic. You need to see Birdemic. The magic, unsurprisingly, is gone. Thankskilling Year: Director: Jordan Downey In the pantheon of zany, holiday-themed horror movies , Thankskilling is somehow both the very worst and the very best. The performers, especially the leads, are bad in ways that no amount of coaching could ever help, but that turkey … his one-liners are somehow just crass enough to often be side-splitting. Enjoy it for what it is, but by all means, avoid the horrendous, shark-jumping sequel, Thankskilling 3. These scenes are interminable, highlighted only by the presence of a protagonist Jensen Daggett who is haunted by a childhood encounter she had with …child Jason?

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Pierce The original version of The Town That Dreaded Sundown feels like a strange outlier among other proto-slashers, thanks to its insistence on marketing itself as a dramatization of a true story. This it does with surprising fealty in many ways: Its depiction of a string of murders in Texas is actually pretty accurate to the historical record, but that accuracy sometimes comes at the cost of a complete narrative. In the end, this film is a gritty, sober, almost depressive slice of rural bloodthirstiness that raises more questions than it answers.


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We should note that there is one extremely goofy kill, involving a trombone, that seems much more slasher-esque than the others. With that said, you could argue that simply producing a ghost story this traditional in offered a bit of novelty. It offers a few fun twists and turns, and evokes classic British haunted house movies as Radcliffe stalks through dark, cobwebbed rooms with a flaming candelabra to light his way.

Final Exam Year: Director: Jimmy Huston During the height of the early slasher boom, some horror films attempted to carve out unique niches for themselves and expand the boundaries of the genre. Others were merely content to copy-cat the conventions of other films and let the bodies fall where they may. Final Exam falls mostly into the latter camp—the filmmakers were literally instructed to produce Halloween , except on a college campus, and this is the result.

Still, there are a few little idiosyncrasies that make it more memorable than some of the other Halloween or Friday the 13th clones. Most notable is the killer himself, who is presented as a completely unknown, rampaging force to whom motive or even identity!

The Instant Voyeur: A Titillating Peek at Sex and Love

The anonymous, seemingly unmotivated nature of the threat makes it easier to sympathize with the college kids, rather than simply rooting for their voyeuristic deaths, as becomes common the longer the slasher genre is around. Friday the 13th Part V: A New Beginning Year: Director: Danny Steinmann Slasher sequels of the s so often grappled with the same existential question: How do we allow our protagonists to triumph over the killer, or even kill the killer , but still bring that marketable murderer back for another installment?

Still, the box office demands what it demands, and the Friday the 13th series, like Halloween 3: Season of the Witch before it, came back for an installment without its central character—or more accurately, someone shows up wearing the hockey mask in A New Beginning , but it turns out to be a Jason copycat killer. Which is fitting, because everything about A New Beginning is divisive.

It will always be the black sheep of the series. As in, solar radiation somehow causes every animal above 5, feet of elevation to go insane, attacking anything in their path. A group of hikers are menaced by all kinds of animals—mountain lions, bears, birds of prey and even pet dogs. Leslie Nielsen, five years before his career-altering comedic turn in Airplane!

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I want to see that movie, and all the killer koalas it would surely entail. This film is exactly what you expect it to be, full of red herrings and drawn-out stalk-and-slash killings. You could throw this on any night of the week and it would immediately feel comfortably familiar to any golden era slasher fan. Night Shyamalan in execution. The still-alive ape man defrosts, however, and proves to be armed with a rather unique set of powers.

fiduporpe.ml What follows is a bizarre film about stolen memories and brain-swapping, all taking place aboard the train. There are some really hypnotic performances, especially from relatively unknown Argentinean actor Alberto de Mendoza as a crazed priest. Who loves ya, baby? The structure is almost like a parody of slasher movies, which were at their peak of popularity at the time—an unknown assailant in town among a list of suspects, while various people turn up dead in increasingly gruesome fashion.

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Many of them are terrible, but occasionally you do get one like Aaah! When we see things from the perspective of human characters, the film is black-and-white, and the zombies are lumbering and uncoordinated.


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  • It gets a decent amount of mileage and laughs out of a decidedly indie budget. That is of course provided you recognize the aliens of Lifeforce as vampires. Hooper ditches the grimy aesthetic of his earlier work and cleverly plays with the old vampire genre conventions, keeping a few bat references but ditching the blood-sucking. I once saw it screened as part of a hour B-movie festival, and that strikes me as exactly the way to consume Lifeforce : In a half-awake haze full of nudity and desiccated victims exploding into dust.

    Friday the 13th Part III Year: Director: Steve Miner Also known as Friday the 13th Part 3-D , the third installment in the Friday the 13th series is impossible to ever fully extricate from its visual gimmick, coming as it did during the second great wave of 3D filmmaking. The story picks up where the second film left off, with an unmasked Jason no more sack cloth with one eye hole!

    It hits all the slasher cliches with such boundless enthusiasm that at times it almost feels like a very early genre parody. In fact, Brown originally wrote the film as an early parody of the genre, playing off the tropes established by Halloween and Friday the 13th , but the movie was ultimately filmed as a legitimate horror vehicle instead, leaving it in a unique tonal middle ground that retains a fair amount of black comedy. Still, there are many islands of genuine, blood pressure-raising fear in this well-executed film.

    Carnival of Souls Year: Director: Herk Harvey Carnival of Souls is a film in the vein of Night of the Hunter : artistically ambitious, from a first-time director, but largely overlooked in its initial release until its rediscovery years later. The story follows a woman Candace Hilligoss on the run from her past who is haunted by visions of a pale-faced man, beautifully shot and played by director Herk Harvey. As she seemingly begins to fade in and out of existence, the nature of her reality itself is questioned. Carnival of Souls is vintage psychological horror on a miniscule budget, and has since been cited as an influence in the fever dream visions of directors such as David Lynch.

    The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2) The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2)
    The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2) The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2)
    The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2) The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2)
    The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2) The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2)
    The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2) The Instant Voyeur: A Titillating Peek at Sex and Love (The Instant Series Book 2)

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